AGJ Original Maki-e Fountain Pen #23 "Grapes and Squirrel" Sparkling Togidashi Taka Maki-e Kyoto Japan Wa
AGJ Original Maki-e Fountain Pen #23 "Grapes and Squirrel" Sparkling Togidashi Taka Maki-e Kyoto Japan Wa
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Item Description
This Authentic Goods from Japan's Original Maki-e Fountain pen is made by famous Kyoto Maki-e Artisan "Daikai".
This pen is only one in the world. You can not find it anywhere.
Kyoto Maki-e is the best known Maki-e technique in Japan.
This is original maki-e fountain pen based on Japanese fountain pen.
This pen is only one in the world. You can not find it anywhere.
Kyoto Maki-e is the best known Maki-e technique in Japan.
This is original maki-e fountain pen based on Japanese fountain pen.
[Description]
Name: | Grapes and Squirrel #23 (Pilot Namiki Original) |
Maki-e Artist: | Daikai |
Technique: | Togidashi Taka Maki-e, Raden |
Origin: | Kyoto, Japan |
Nib: | 14K Gold |
Nib size: | Medium |
Size: | 15.7mm(Dia.) x 146mm |
Shipping: | FREE SHIPPING! |
Others: | With CON-70 converter With the pen stand |
Custom engraving service on AGJ's original Maki-e fountain pens is available for those who wish.
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[Techniques used for Grapes and Squirrel]
Technique: Togidashi Taka Maki-e (Makie), Raden
Special feature: Gold on blue petals and red petals becomes more apparent as time goes by.
Production period: Takes 3 to 4 months to finish decorating one fountain pen. It takes at least one week to dry one layer.
- Apply Urushi lacquer on the whole body of the fountain pen. Let it dry and polish the surface to make it smooth
- Draw and paint the design, and then sprinkle silver powder on the polished surface
- Let it dry
- Apply thin layer of Urushi lacquer
- Polish the surface to make it smooth
- Raise thick layer of Urushi lacquer
- Let it dry
- Polish the surface to make it smooth
- Apply thick layer of Urushi lacquer again
- Polish the surface to make it smooth
- Make thin layer by Urushi lacquer
- Sprinkle gold powder
- Apply Urushi lacquer and harden the surface
- Let it dry
- Polish the surface to make it shiny
- Coat Urushi lacquer on the whole body of the fountain pen. Let it dry and polish the surface to make it smooth and in a uniformly distributed stae.
- Draw and paint the design and sprinkle silver powder on the polished surface
- Let it dry
- Harden the surface with thin layer of Urushi lacquer
- Polish the surface to make it smooth
- Raise thick layer of Urushi lacquer
- Let it dry
- Polish the surface to make it smooth
- Make thick layer of Urushi lacquer again
- Polish the surface to make it smooth
- Coat with thin layer of Urushi lacquer
- Sprinkle Nashiji powder (rough-grained gold powder)
- Apply Nashiji lacquer (※1) for stability
* Nashiji lacquer is the high transparent lacquer applied over Nashiji powder and Hirame powder for stability - Let it dry
- Polish the surface with charcoal until the Nashiji powder shows on the surface
- Polish the surface to make it smooth
- Apply thin layer of lacquer
- Let it dry
- Polish the surface to make it shiny
- Coat Urushi lacquer on the whole body of the fountain pen. Let it dry and polish the surface to make it smooth and even
- Apply mother-of-pearl on the smoothed surface
(The edges of the round cut mother-of-pearl are smoothed and apply Urushi lacquer on the back to glue it on the pen)
- Paint Urushi lacquer on the whole body of the fountain pen. Let it dry and polish the surface to make it smooth and even.
- Apply colored Urushi lacquer 3 times on the smoothed surface
- Polish the surface
- Paint Urushi lacquer on the whole body of the fountain pen. Let it dry and polish the surface to make it even and smooth
- Draw and paint the design on the polished surface and sprinkle silver powder
- Let it dry
- Harden with thin layer of Urushi lacquer
- Polish the surface to make it smooth
- Raise thick layer of Urushi lacquer
- Let it dry
- Polish the surface to make it smooth
- Apply thick layer of Urushi lacquer again
- Polish the surface to make it smooth
- Raise thin layer of Urushi lacquer
- Sprinkle silver powder
- Raise Urushi lacquer
- Let it dry
- Polish the surface to make it shiny
Togi-dashi means polishing the surface with charcoal or synthetic whetstone until gold shows on the surface.
When the rough gold powder is polished, the surface of gold reflects light irregularly. Then polish the surface with absorbent cotton impregnated with polishing paste made by mixing polishing powder and oil.
[DAIKAI's Career]
Year 1950 | Born in Kyoto His father, uncle, grand father and grand-grand father were Urushi Lacquer masters too. |
1969 | Another Urushi artist "Masakichi Shima" started teaching Daikai. |
1976 | Daikai began succeeding to inherit the style of Kyo makie(Maki-e). |
1985 | Won the Kyoto Chamber of Commerce Award at Kyoto Lacquerware exhibition. |
1986 | Held Urushi Lacquer exhibition at Kyoto Takashimaya(the largest department store in Japan). |
1990 | Exhibited at the Arts and Crafts in kyoto. |
1991 | Became a technical lecturer for the artists at the traditional industry at Kyoto. |
1994 | Opened his Kyoto Urushi lacquer school. |
1995 | Invited to display his works at INFA 1995 in Hannover, Germany. |
1997 | Won the award at the industrial techniques for the crafts in Kyoto. |
1999 | Held the first Kyoto Urushi lacquer school’s exhibition at Ko-dai temple, Kyoto. |
2001 | He has held the traditional crafts exhibition every year since 2001. |
2008 | Held Amber Maki-e and Lacquer works exhibition at Sogo department store. |
2009 | Held Kyoto Urushi Lacquer exhibition at Takashimaya in Namba, Osaka. |
He lives in Kyoto now and teaches many Maki-e artisans Kyoto-Makie technique. |