AGJ Original Maki-e Fountain pen #31 "Setsugekka" Sparkling Togidashi Taka Maki-e Kyoto Japan Wa
AGJ Original Maki-e Fountain pen #31 "Setsugekka" Sparkling Togidashi Taka Maki-e Kyoto Japan Wa
Our Selling Price: US$1,500.00(tax excluded)
Item Description
This AGJ original Maki-e Fountain pen is made by famous Kyoto Maki-e Artisan "Daikai".
This pen is only one in the world. You can not find it anywhere.
Kyoto Maki-e is the best known Maki-e technique in Japan.
This is original Maki-e fountain pen based on Pilot fountain pen.
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Gold powder
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Snow outline: Gold powder
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*When coarse powders are used, burnish to gloss or put a luster on the surface
*Polish by cotton with the paste of grindstone powder and oil.
This pen is only one in the world. You can not find it anywhere.
Kyoto Maki-e is the best known Maki-e technique in Japan.
This is original Maki-e fountain pen based on Pilot fountain pen.

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Snow Crystal:
- The design is created using Urushi lacquer
- Sprinkle Silver powder #7
- Dry
- Raise the urushi layers
- Sprinkle Gold powder
- Coat with urushi
- Burnish
- Polish
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Cherry blossom: Tsukegaki Maki-e
- The design is coated
- Sprinkle gold powder #6
- Coat with Urushi
- After burnishing, the raised layer is glittering
- Polish
Gold powder
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Snow outline: Gold powder
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-
Snow Crystal:
- The design is created using Urushi lacquer
- Sprinkle Silver powder #7
- Dry
- Raise the urushi layers
- Sprinkle Gold powder
- Coat with urushi
- Burnish
- Polish
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Moon:
- Create the moon thinly
- Gradate gold powder(Display perspectively)
- Dry
- Coat with black and transparent urushi
- Burnish
- Polish
-
Cherry blossom:
- Create Cherry blossom on the moon
- Silver powder #9
- Dry
- Spread urushi twice
- Gold powder #8
- Coat with Shu(Vermilion) Urushi
- Burnish
- Polish
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Leaves of Cherry blossom:
- Seikin(Alloy of Gold and silver) #3 Tsukegaki
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Snow crystal:
- Tip parts: Silver powder #2 Tsukegaki Maki-e
- Others: Gold powder#2 Tsukegaki Maki-e
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*When coarse powders are used, burnish to gloss or put a luster on the surface
*Polish by cotton with the paste of grindstone powder and oil.
[What is Maki-e technique?]
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Hira Maki-e
- Urushi lacquer
- Sprinkle Gold powder, Seikin: Alloy of Gold, Silver powder, Hirame and so on
- Coated by Uwazuri and Black urushi
- Polish by polishing and grindstone powders
-
Togidashi Maki-e (Mainly used for finishing evenly the background)
- Urushi lacquer
- Sprinkle Gold powder, Seikin: Alloy of Gold, Silver powder, Hirame and so on
- Coated thickly by Nashiji and Black urushi
- Burnished the urushi lacquer by charcoal
- Polish by polishing and grindstone powders
- When coarse gold/silver/Hirame/Seikin powders are sprinkled, put a luster by burnished.
- After togidashi maki-e, Togidashi Hira maki-e is decorated Hira maki-e on togidashi maki-e.
- After togidashi maki-e, Togidashi Taka maki-e is decorated Taka maki-e on togidashi maki-e.
- Burnishing is needed when coarse powders are sprinkled.
-
Taka Maki-e
- The design is created using urushi lacquer
- Sprinkle charcoal/Silver powders to raise the layer
- Dry
- Spread urushi twice to make the layer thicker
- Sprinkle gold/silver/Hirame/Seikin powders
- Coat by Urushi
- Burnish
- Polish
- Charcoal powder: Show a soft feeling
- Silver powder: Feel solid
-
Tsukegaki Maki-e
- Spread Urushi lacquer thickly
- Sprinkle gold powder
- Gold powders sink due to thick urushi
- Do Togidashi
- Gold powders shine
- Polish
[Description]
Name: | Setsugekka(Snow, Moon and Flower) #31 (Pilot Namiki Original) |
Maki-e Artist: | Daikai |
Technique: | Togidashi Taka Maki-e |
Origin: | Kyoto, Japan |
Nib: | 14K Gold #15 |
Nib size: | Medium (If you like other nib size, please let us know.) |
Size: | 15.7mm(Dia.) x 149mm |
weight: | 26g |
Shipping: | FREE SHIPPING! |
Others: | AGJ Original Design Maki-e With CON-70 converter |
[Daikai's Career]
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Year 1950 | Born in Kyoto His father, uncle, grand father and grand-grand father were Urushi Lacquer masters too. |
1969 | Another Urushi artist "Masakichi Shima" started teaching Daikai. |
1976 | Daikai began succeeding to inherit the style of Kyoto Makie (Maki-e). |
1985 | Won the Kyoto Chamber of Commerce Award at Kyoto Lacquerware exhibition. |
1986 | Held Urushi Lacquer exhibition at Kyoto Takashimaya (the largest department store in Japan). |
1990 | Exhibited at the Arts and Crafts in kyoto. |
1991 | Became a technical lecturer for the artists at the traditional industry at Kyoto. |
1994 | Opened his Kyoto Urushi lacquer school. |
1995 | Invited to display his works at INFA 1995 in Hannover, Germany. |
1997 | Won the award at the industrial techniques for the crafts in Kyoto. |
1999 | Held the first Kyoto Urushi lacquer school’s exhibition at Ko-dai temple, Kyoto. |
2001 | He has held the traditional crafts exhibition every year since 2001. |
2008 | Held Amber Maki-e and Lacquer works exhibition at Sogo department store. |
2009 | Held Kyoto Urushi Lacquer exhibition at Takashimaya in Namba, Osaka. |
He lives in Kyoto now and teaches many Maki-e artisans Kyoto-Makie technique. |