AGJ Original Maki-e Fountain pen #38 "Buddhist statue" Sailor 21K nib Sparkling Togidashi Taka Maki-e Kyoto Japan Wa
AGJ Original Maki-e Fountain pen #38 "Buddhist statue" Sailor 21K nib Sparkling Togidashi Taka Maki-e Kyoto Japan Wa
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Item Description
This AGJ original Maki-e Fountain pen is made by famous Kyoto Maki-e Artisan "Daikai".
This design is an AGJ's original. You can not find anywhere else.
Kyoto Maki-e is the best known Maki-e technique in Japan.
This is original Maki-e fountain pen using Sailor 21K nib with 24k gold plating.
Buddhist statue: Togidashi Taka Maki-e
Fire: Coat Gold powder with Red Urushi
Crown: Gold powder
Face: Gold powder
Eyes: Bring up with Silver powder
Mouth: Coat with Red Urushi
Body: Gold powder
Koh-Hai(Halo): Togidashi Taka Maki-e
Gold powder
Kimono: Togidashi Taka Maki-e
Green part:
Silver part: Silver powder
Lotus flower: Togidashi Taka Maki-e
Green part: Blue Gold powder
Gold part: Gold powder
Lotus seat: Togidashi Taka Maki-e
Blue part: Coat Blue Gold powder with Blue japan urushi lacquer
Shining paer: Hirame pawder
Background: Togidashi Maki-e
From the upper part, Blue Gold powder to Hirame powders are sprinkled on the entire background.
Top: Taka Maki-e
Gold and Red-gold powder
This design is an AGJ's original. You can not find anywhere else.
Kyoto Maki-e is the best known Maki-e technique in Japan.
This is original Maki-e fountain pen using Sailor 21K nib with 24k gold plating.
Buddhist statue: Togidashi Taka Maki-e
Fire: Coat Gold powder with Red Urushi
Crown: Gold powder
Face: Gold powder
Eyes: Bring up with Silver powder
Mouth: Coat with Red Urushi
Body: Gold powder
Koh-Hai(Halo): Togidashi Taka Maki-e
Gold powder
Kimono: Togidashi Taka Maki-e
Green part:
Silver part: Silver powder
Lotus flower: Togidashi Taka Maki-e
Green part: Blue Gold powder
Gold part: Gold powder
Lotus seat: Togidashi Taka Maki-e
Blue part: Coat Blue Gold powder with Blue japan urushi lacquer
Shining paer: Hirame pawder
Background: Togidashi Maki-e
From the upper part, Blue Gold powder to Hirame powders are sprinkled on the entire background.
Top: Taka Maki-e
Gold and Red-gold powder
[What is Maki-e technique?]
-
Hira Maki-e
- Urushi lacquer
- Sprinkle Gold powder, Seikin: Alloy of Gold, Silver powder, Hirame and so on
- Coated by Uwazuri and Black urushi
- Polish by polishing and grindstone powders
-
Togidashi Maki-e (Mainly used for finishing evenly the background)
- Urushi lacquer
- Sprinkle Gold powder, Seikin: Alloy of Gold, Silver powder, Hirame and so on
- Coated thickly by Nashiji and Black urushi
- Burnished the urushi lacquer by charcoal
- Polish by polishing and grindstone powders
- When coarse gold/silver/Hirame/Seikin powders are sprinkled, put a luster by burnished.
- After togidashi maki-e, Togidashi Hira maki-e is decorated Hira maki-e on togidashi maki-e.
- After togidashi maki-e, Togidashi Taka maki-e is decorated Taka maki-e on togidashi maki-e.
- Burnishing is needed when coarse powders are sprinkled.
-
Taka Maki-e
- The design is created using urushi lacquer
- Sprinkle charcoal/Silver powders to raise the layer
- Dry
- Spread urushi twice to make the layer thicker
- Sprinkle gold/silver/Hirame/Seikin powders
- Coat by Urushi
- Burnish
- Polish
- Charcoal powder: Show a soft feeling
- Silver powder: Feel solid
[Description]
Name: | Buddhist statue (Seishi Bosatsu) #38 |
Maki-e Artist: | Daikai |
Technique: | Togidashi Taka Maki-e |
Origin: | Kyoto, Japan |
Nib: | 21K Gold |
Nib size: | Medium |
Size: | 18mm(Dia.) x 141mm |
weight: | 32g |
Shipping: | FREE SHIPPING! |
Others: | AGJ Original Design Maki-e |
[Daikai's Career]
Year 1950 | Born in Kyoto His father, uncle, grand father and grand-grand father were Urushi Lacquer masters too. |
1969 | Another Urushi artist "Masakichi Shima" started teaching Daikai. |
1976 | Daikai began succeeding to inherit the style of Kyoto Makie (Maki-e). |
1985 | Won the Kyoto Chamber of Commerce Award at Kyoto Lacquerware exhibition. |
1986 | Held Urushi Lacquer exhibition at Kyoto Takashimaya (the largest department store in Japan). |
1990 | Exhibited at the Arts and Crafts in kyoto. |
1991 | Became a technical lecturer for the artists at the traditional industry at Kyoto. |
1994 | Opened his Kyoto Urushi lacquer school. |
1995 | Invited to display his works at INFA 1995 in Hannover, Germany. |
1997 | Won the award at the industrial techniques for the crafts in Kyoto. |
1999 | Held the first Kyoto Urushi lacquer school’s exhibition at Ko-dai temple, Kyoto. |
2001 | He has held the traditional crafts exhibition every year since 2001. |
2008 | Held Amber Maki-e and Lacquer works exhibition at Sogo department store. |
2009 | Held Kyoto Urushi Lacquer exhibition at Takashimaya in Namba, Osaka. |
He lives in Kyoto now and teaches many Maki-e artisans Kyoto-Makie technique. |